The Bay by Franck Bohbot
The Bay by Franck Bohbot

The Bay by Franck Bohbot

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Only 5 items in stock!

The Bay, New York, 2013. 30” x 40”, Edition of 5 C-Type Print

The homely colours of 'The Bay' makes this a great decoration to tie a room together and with a composition that really draws the eye without being invasive.

Here Bohbot combines the nautral and unnatural with great harmonious effect in both the subject and the lighting. The sky and bay are knitted together perfectly by the distant buildings, with the lights of these buildings reflecting the colours of the setting sun and the structures themselves reflecting the blues of the darkening sky and the bay's waters.


About the Artist:

Franck Bohbot is an artist specializing in photography and film. Born in the southernmost suburbs of Paris, France, Franck Bohbot moved to New York City in 2013 and is currently based in Los Angeles since 2019. He is a documentarian with an eye for the theatrical who found his way to photography by way of cinema, and although he turned his focus fully to photography in 2008, the formal and aesthetic influences of the cinematographic form continue to underlie his present work. Bohbot’s work inhabits a space between reality and fantasy, documenting and storytelling, every frame – to borrow a phrase from Nan Goldin – like a still from a nonexistent film. He has drawn artistic inspiration from figures as diverse as Jeff Wall, Bernd and Hilla Becher, Edward Hopper, Luigi Ghirri, and Martin Scorsese. Bohbot frequently takes a formal, typological approach to craft visual narratives, highlighting the surreal symmetries of our constructed worlds and capturing the poetry of everyday places with a unique attentiveness to the interplay of light and color. He employs the latter two elements as tools of nostalgia, exploring loss and obsolescence by crafting images that are as much about what is invisible or lacking as what is there within the frame. Rendering public spaces, street scenes, and architectural sites of interest in his distinctive muted palette, he documents inanimate structures with all the sensitivity of a human portrait, as though constructing an imaginary archive of social spaces for a post-apocalyptic time capsule. His work has received widespread critical acclaim and has appeared in a range of national publications including  TIME, National Geographic, The New York Times Magazine, The Guardian, Wired, New York Magazine, The Financial Times, The Independent, Les Inrockuptibles, Marie Claire,  Elle, or Corriere Della Sera, Vogue